DLIT (love is dead) Lyrics by Paula Hartmann

DLIT (love is dead) Meaning & Facts By (Singles). You Can Watch This Video On YouTube While The Lyrics Are Written By Paula Hartmann & Biztram. The Music Track Was Released Date :Feb. 14, 2024

The lyrics depict a complex emotional trip, blending passions of impassiveness, disillusionment, and a hankering for connection
Here’s an interpretation of the song:

[Intro]
Hey, turn on the flute sample

Explanation of Intro
The introduction sets the tone, instructing to turn on a flute sample.

[Verse 1]
Overcontrolled, I don’t know what I feel anymore.
Sitting in the Diablo, not an angel, but wings
Let 23 buy another sixer at four for a fiver
Can’t sleep until all the lights are out
The last rays of sunshine chrome the block (chrome the block)
Where is Walter? -Edition: Hieronymus Bosch (Mh-mh)
Between a bit of sativa and over-the-top (top)
Make a French, gun to the head (Pew)

Explanation of  Verse 1
The first verse paints a picture of emotional overload and confusion. The mention of sitting in a car (Diablo) and the imagery of purchasing alcohol late at night suggest a sense of escapism or self-medication. The reference to “Die letzten Sonnenstrahl’n” (The last rays of sunshine) hints at a melancholic atmosphere. The comparison to a Where’s Waldo? edition with Hieronymus Bosch suggests a chaotic and overwhelming environment.

[Pre-Chorus]
Don’t look at me like that (Hey)
Hold the gun like a Super 8 (Yeah, yeah)
Love is dead (Hm)
And your bed is a good grave (Yes, mh)

Explanation of  Pre-Chorus
The pre-refrain urges someone not to stare and describes holding a gun like a Super 8 camera. There’s a declaration of love being dead, and the bed is referred to as a good grave, possibly indicating a sense of finality or loss.

[Refrain]
808s und nichts fühl’n, alles was ich kenn’
Jeden Sonntagmorgen in der Kirche verbrenn’n
Für ‘n paar Schmetterlinge an ‘nem grauen Tag
Die Liebe ist tot und wenn nicht, dann stech’ ich nach
808s und nichts fühl’n, alles was ich kenn’
Jeden Sonntagmorgen in der Kirche verbrenn’n
Für ‘n paar Schmetterlinge an ‘nem grauen Tag
Die Liebe ist tot und wenn nicht, dann stech’ ich nach (Yeah-yeah)

Explanation of  Refrain 
The refrain repeatedly mentions feeling nothing with the accompaniment of 808s (a type of drum machine), and the act of burning in church on Sunday mornings may symbolize a ritualistic attempt to cleanse or purify oneself. The theme of love being dead is reiterated, and a willingness to stab or attack if it isn’t dead adds an element of aggression or desperation.

[Verse 2]
Never show heart, only show skin
Headlights flicker, night flares up in front of me
Fingers become narrower, rings go away, break-up look
Are you oxygen or are you air for me?

Explanation of  Verse 2
The second verse contrasts the idea of showing skin but not revealing one’s heart. The mention of flipping headlights and the night igniting could symbolize a dramatic or intense transformation.

[Pre-chorus]
Look at me (Mh)
I’ll tear us apart one last time (Yes, yes)
Love is dead
Kick the shitty feelings alive into the coffin (Yes, mh)

Explanation of  pre-Chorus
The pre-refrain emphasizes looking and tearing apart one last time, suggesting a final assessment or confrontation. Love is declared dead again, and the act of burying feelings alive in a coffin adds a vivid metaphor for emotional burial.

[Refrain]
808s and feel nothing, everything I know
Burn in church every Sunday morning
For a few butterflies on a gray day
Love is dead and if not, then I’ll stab
808s and feel nothing, everything I know
Burn in church every Sunday morning
For a few butterflies on a gray day
Love is dead and if not, then I’ll stab

Explanation of  Refrain 
The refrain repeats the numbness, burning in church, and the notion of love being dead. The desire to stab if love is not dead intensifies the emotional struggle.

[Outro]
And when it gets light again, I have to go (It’s goodbye, it’s goodbye)
Just turn around and count to ten (It’s over, it’s over)

Explanation of  Outro
The outro expresses a sense of finality and departure. As it gets bright again, the narrator feels the need to leave. The act of turning around and counting to ten implies a goodbye, suggesting that the relationship or emotional experience is coming to an end.

OVERALL
The lyrics claw into themes of emotional pain, detachment, and a struggle to find meaning or connection amid a background of desolation and disillusionment.

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