7969 Santa Lyrics – Drake

7969 Santa Lyrics – Drake Meaning & Facts By (Singles). You Can Watch This Video On Youtube
While The Lyrics Are Written By Drake, Teezo Touchdown, Alex Lustig, BNYX®, Jahaan Sweet, Nyan, Chief Keef, Young Chop & Lil Reese.The Music Track Was Released Date :October 6, 2023.

7969 Santa by Drake is a musical tapestry woven by a collaborative team of artists, including Teezo Touchdown, Alex Lustig, BNYX®, Jahaan Sweet, Nyan, Chief Keef, Young Chop, and Lil Reese. Released on October 6, 2023, this track showcases the diversity of creative influences converging under Drake’s artistic umbrella. The lyrics, penned by the aforementioned contributors, promise a journey through a spectrum of emotions and themes. For an in-depth understanding of the song’s meaning, facts, and the collaborative synergy behind its creation, the accompanying video on YouTube offers an immersive experience. With its release, “7969 Santa” emerges as a distinctive addition to Drake’s discography, inviting listeners to explore a fusion of musical talents and appreciate the unique blend that defines this musical offering.

[Intro: Drake]
Wait, wait, wait, wait, wait, wait, damn
Damn, that’s how you’re dealing with me, damn
Damn, that’s how you’re, that’s how you’re
Ayy, look, look

[Explanation Of Intro]

In the introduction, Drake conveys a mix of frustration and incredulity towards the treatment he is receiving from someone. The repetition of the word “damn” underscores his sense of surprise or disappointment in response to the actions of this individual.

[Verse 1: Drake]
Who the fuck is that? It’s a disguise
You ain’t who I thought I recognized
Twenty thousand pound on your rent
Bitch, I coulda spent that on the guys

[Explanation Of Verse 1]

In the opening verse, Drake appears to be confronting someone he believed he understood, only to discover a sense of deception. He alludes to a substantial expenditure on rent, suggesting a potential misuse of resources or an exploitation of his trust. The lyrics delve into the complex themes of betrayal and trust, portraying a situation where expectations have been shattered and financial resources have been redirected in a way that feels unexpected and disappointing.

[Refrain: Drake & Chief Keef]
I don’t like what you did on them trips (Shit I don’t like)
I don’t like what you did to your lips (Shit I don’t like)
I don’t like the tone of your replies (Shit I don’t like)
I don’t like the look that’s in your eyes (Shit I don’t like)
Blame this shit on being twenty-five
That excuse for me just doesn’t fly
Zack keep saying, “Meet at seven-nine”
But that shit just gone have you on my mind, yeah

[Chorus: Drake]
I just wanna gеt you off of my mind
I just wanna get you off of my mind
I just wanna get you off of my mind
Ayy, yeah, damn
Damn, that’s how you’rе dealing with me, damn
Damn, that’s how you’re dealing with me, damn
I just wanna get you off of my mind
I’m seven-nine-six-nine, seven-nine-six-nine, seven-nine-six
Seven-nine-six-nine, seven-nine-six-nine

[Verse 2: Drake]
Ayy
Since I had some space to myself
I typed some shit, then I erased what I felt
That talk we had the other day didn’t help
Because you really think you out here moving stealth
I met the nigga everybody say you fucked
And I could tell he wasn’t acting like hisself
Got you out here moving waste like a belt
If it ain’t him, then it must be somebody else, damn

[Explanation Of Verse 2]

Moving into the second verse, Drake maintains his frustration and skepticism towards the individual in question. He recounts encountering someone rumored to have had a romantic involvement with this person, noting a noticeable change in their behavior. Drake accuses them of acting without caution and implies that if the rumors aren’t accurate about this particular person, then they must pertain to someone else entirely. The lyrics convey a sense of disappointment and suspicion as Drake grapples with the complexities of the situation.

[Refrain: Drake & Chief Keef]
I don’t like what you did on them trips (Shit I don’t like)
I don’t like what you did to your lips (Shit I don’t like)
I don’t like you telling just one side (Shit I don’t like)
I don’t like the fact you never cry (Shit I don’t like)
Blame that shit on being twenty-five
That excuse for me just doesn’t fly
Zack keep saying, “Meet at seven-nine”
That shit just gone have you on my

[Interlude: Teezo Touchdown]
(Baby) Dogs will be dogs
(You know I’m in the streets) Though we may roam
(But I promise) Leave the door open
Tonight, I’m coming home (I’m coming home)
Dogs will be dogs (I know you feel me, baby)
No leash in sight
Leave the door open
I’m coming home tonight (I mean the dogs)
Ah-oh, ah-woo
Ah-oh, ah-woo (I mean the dogs)
Ah-oh (Yeah)

[Outro: Snoop Dogg]
That’s that new Teezo Touchdown, straight
For all the dogs that’s driving around in Beaumont looking for some cat
All you pitbulls should know by now that hundreds in a row look like tuna in a bowl (Tuna)
This is Curtis Cut-A-Bitch-Off
And you’re listening to BARK Radio, live from Chapel Hill
Where the South was won, whatever that means
We got some new Drake and SZA coming up
And we gone be giving away some Drake tickets as well
You know he coming to the H-Town to tear the roof off that motherfucker
This is BARK Radio

[Explanation Of Outro]

In the outro, Snoop Dogg makes an appearance and references BARK Radio, indicating a potential radio show or station focused on music and events. He takes a moment to promote Drake’s upcoming concert in Houston, often colloquially known as “H-Town,” and playfully hints at a ticket giveaway. The outro adds a dynamic element to the song, incorporating Snoop Dogg’s presence and contributing to the overall theme of music and events within the lyrics. In essence, “7969 Santa” by Drake captures a range of emotions, including disappointment and suspicion, as it explores the complexities of a troubled relationship, while the outro introduces a lively touch with the anticipation of a concert and ticket giveaway.

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