Calling For You Lyrics – Drake & 21 Savage

Calling For You Lyrics – Drake & 21 Savage Meaning & Facts By (Singles). You Can Watch This Video On Youtube While The Lyrics Are Written By Drake & 21 Savage.The Music Track Was Released Date :October 6, 2023.

Calling For You is a collaborative single by renowned artists Drake and 21 Savage, released on October 6, 2023. The trace combines Drake’s urbane and musical tone with 21 Savage’s unlike and gritty rap lyrics. The verses grub into topics of thirst, relations, and the artists’ times, creating a wiling story throughout the lyric.

[Intro: Drake]

[Verse 1: Drake]
I was in the club ‘fore she even had it
She was twenty-one, I don’t see a savage
She wanna be the one, she know I’m coming static
She wanna hold the gun, if you want it, you can have it
Shawty still young, so she don’t know the classics
I see her body, one-of-one, yeah
I see her body, one-of-one
Get to the crib, make you cum
Pussy sweet, call you my honeybun (Tss)
I know your nigga was a bum
Fuck on the crodie, have some fun
Girl, I’m the king of my city, I’m the one (Tss)
Swear you can have me, you really one-of-one (Tss)
How you so nasty? You really one-of-one (Tss)
How you so flashy? You really one-of-one (Tss)
Out in Miami, you still a one-of-one (Tss)
I wanna beat on the pussy ’til the sun come up
You fucked on a nigga I see as my son, so what?
Yeah, I was in the club, but I was in the cut
Had liquor in my cup, had passion in my cup
And Addy in my system, see a opp, I’ma hit ’em up
Yeah, he gone be a victim, I was tryna dance with the bitch
Couldn’t keep my hands off her hips
Know she spent some bands on her fit
Know I told you that she really one-on-one
Cro’, yeah, she advanced with the shit
And I got a chance with the bitch
Loverboy, romance with the bitch
Couldn’t even put my mans on a bitch
Like, damn

Verse 1 (Drake):

In the first verse, Drake reflects on a night at the club and encounters a young woman who wants to be with him. He sources her periodstressing her sonny and want of belonging with model stuff. The verses contact on nearness, with Drake airing his draw and craving for the lady. He boasts about his scene in the burg and suggests that she’s sole and odd. The lyric so alludes to a prior exotic mesh and Drake’s self-confidence in his capabilities.

[Chorus: Drake]
Calling, calling for you
Calling for you, calling for you
Calling for you
Need you to guide my eyes, feel it on me
Needing you to hold me
‘Til the inevitable
It was on my mind, felt it on me

[Explanation of Chorus]

The chorus features Drake calling out for someone, possibly the woman mentioned in the verse. The verses give a feeling of drive and a craving for advice and relation. The renewal of” baying for you” adds a lyric and emotive race to the lyric.

[Interlude: 21 Savage]
Ah, he lied to me
Yo, he lied to me
Like I didn’t give a fuck that we sat in economy
I gave a fuck ’cause he said the economy was full
It was not full
He said, “Economy was—”
He said, “There was no first class, so we’re sitting in economy”
I get up on that plane
I see so many seats in first class
Twelve, fourteen seats
I sat in the back of the plane
Fucking crazy
And then, I go on that wack-ass vacation
The chef is feeding us the same meal every day like I was in jail still or something
I’m like, “Why are we eating jerk chicken and oxtail every single day, can we switch it up?”
No, the oxtail was fire though, but can we switch it up?
I can’t eat that shit every day, what?
And then you proceed to go through my phone
You wanted to cry
You were looking for something
That’s on you, it’s on you
Sorry for your loss

[Explanation of Interlude]

21 Savage takes the spotlight in the interlude, sharing a personal narrative. He recounts a scene where he saw deceived, batting false right about the fullness of initial– order commands on a airplane. The interval includes his discontent with a leave, stressing monotone in the chuck and a absence of diversity.Additionally, there’s a mention of going through his phone, suggesting a breach of trust.

[Verse 2: 21 Savage]
Woah, woah
Fuck nigga wanna get fired on (21)
Starch a nigga up, put the iron on him (21)
Plenty niggas dying over that way (Yeah)
Quick to leave a opp in the ashtray (Pussy)
Keep a .19 like I’m Mac Dre (21)
Make a nigga mama have a bad day (21)
21 gang 4L, these niggas gone tell
I ain’t going back and forth on deals (On God)
I ain’t going back and forth, send shells (On God)
I ain’t going back and forth, nigga, spin (Fah)
Put a college bitch in a Benz (21)
Put her in the Benz, no note (21)
Hit ’em from the car, no scope (21)
We don’t never tie, we score (On God)
She suck on my neck like she Dracula (Yeah)
Hit from the back, I might tackle her (Yeah)
Don’t ask ’bout my opps ’cause we smacking ’em (Yeah)
Fuck my opps, they haters (Pussy)
Fuck my opps, they hoes (Pussy)
The bitches that come around suck dick
And don’t pull they phone out, dem ones pros (On God)
Bitch, if you love me, then spoil me (21)
I treat the rap game like a toilet (On God)
All of my kids get left in her mouth
She say she don’t believe in abortions (21)
Oh, you ain’t got you a boyfriend? (21)
I see he be on his dork shit (21)
Nah, I ain’t judging, but they in the nosebleeds
You know I be on my court shit (Facts)

[Explanation of Verse 2]

21 Savage’s verse introduces a more aggressive tone, with references to violence and his commitment to his lifestyleHe mentions the issues looked by those concerned in his humanity and his denial to busy in concessions. The verses hold on his smash and capacity to hand over for a club- taught female, mixing basics of way memoir with views of unique collaborations. 

Altogether,” baying For You” combines Drake’s autograph self-questioning with 21 Savage’s uncooked and natural fibber, creating a trace that explores varied sides of relationsdrive, and the artists’ times in the public.The collaboration results in a compelling blend of melodic and gritty elements, making the song a standout in their respective discographies.

Share This Lyrics (❤️ Sharing is Caring ❤️)

Leave a Reply

Your email address will not be published. Required fields are marked *